Back away from the light
It's all deranged - no control
I'm waiting for the hard drive to arive. I hope it will be here tomorrow. I hope. Strange dreams last night, just as they have been for the last few nights. Disjointed reflections of reality, reflecting faces and lives I don't know. Windows onto other worlds, in a litteral sense, I suppose.
Driving home today, I saw a thin, pale man with long, straggly black hair who was dressed all in black leather, walking in the rain. On his forehead was an ash cross. I say this because my day seems to be filled with reminders that today is Ash Wednesday. Not that I am Catholic in any way, or even vaugely so, but it has come up too many times for me not to notice it.
Sit tight in your corner
Don't tell God your plans
It's all deranged
No control
I heard strange things on the radio today. First, a peice written by a catholic wearing her ash cross openly for only the second time as an adult. She spoke of how people reacted to it, how they suddenly would either open up to her or shut her out at the sight of it. One person yelled at her about it, another broke down in tears confessing that her parents were devorcing. How strange that must be. Then later, a peice about the film The Passion of Christ which opened today, and how violent it was, how focused on the suffering of Christ it was, compared to other depictions. Rightly so, I would say, but that's my opinion. To make his point, the reviewer resorted to comparing it to the only depiction he could think of that was of equal brutality - the one depicted within the film version of A Clockwork Orange. There, the narator (the protagonist, as it were) is fixated on the violence of the act, and really on the violence of the whole work of the Word.
I thought that the suffering of Christ was the point.
Every single move's uncertain
Don't tell God your plans
It's all deranged
No control
Moving on. The third thing I heard on the radio was as I was getting home. They began an hour long comentary on the Passion of St. John written by Bach. It, like the gosspil its self, contains the majority of the anti-semitic language of the new testement. As such, many of the modern performances of it have been prefaced with apologies, workshops, or other such things. A great many places refuse to preform it all together because of the content. Is this right? Is it wrong? I can't really be sure how to react to it.
I should live my life on bended knee
If I can't control my destiny
No control I can't believe I've no control
It's all deranged
Lyrics - David Bowie, No Control :: Painting: Dali, Corpus Hypercubus


